The #SwissRiveter: Literature from Switzerland

Recently the European Literature Network published The Swiss Riveter, a compendium of writing about contemporary fiction, poetry and memoir from Switzerland. It contains essays on Swiss literature’s richness and diversity, as well as reviews and extracts, including an exclusive English excerpt of Peter Stamm’s The Gentle Indifference of the World (to be published this year in Michael Hoffman’s translation) and an essay by Swiss-British writer Alain de Botton.

My review of Pascale Kramer’s Autopsy of a Father (Bellevue Literary Press, 2017) appears on pp. 56-57. Kramer won the Grand Prix Suisse de Littérature in 2017 for her oeuvre. Autopsy of a Father is a powerful novel for our times: it tackles xenophobia, racism and nationalism. You can access the review here.

The European Literature Network promotes literature in translation. The Swiss Riveter was produced with support from Pro Helvetia, the Swiss Arts Council, the Embassy of Switzerland in the UK, Arts Council England and ELit Literature House Europe. Sections of it are now available also in digital form here.

This is the fifth of the European Literature Network’s Riveters. The first was devoted to literature from Poland, on the occasion of the 2017 London Book Fair’s Polish focus. The second, on literature from Russia, coincided with ELNet’s Russian events at the British Library. In The Nordic Riveter of October 2017, five countries were represented: Sweden, Norway, Denmark, Finland and Iceland. The fourth covered the Baltics, the focus of the 2018 London Book Fair.

Image credits:

Images courtesy of The European Literature Network.

Riveting reads

 

The European Literature Network champions international literature – if you aren’t already aware of its activity, do check out its website.

Every month, its Riveting Reviews section features reviews of (mainly) European literature – mostly of works recently translated into English. It also offers a Riveting Reads section, consisting of brief (only a few lines long) recommendations of a wider range of books, including fiction and non-fiction not yet available in English translation, as well as texts published years ago.

My recent full-length ‘Riveting Review’ was of Antoine Laurain’s ‘Smoking Kills’ (see here). My July ‘Riveting Reads’ are focused on works by Italian authors: ‘The Little Virtues’ by Natalia Ginzburg; ‘Nessuno Puo’ Volare’ by Simonetta Agnello Hornby; and ‘Le 10 Parole Latine che Raccontano il Nostro Mondo’ by Nicola Gardini. I hope you’ll enjoy reading about them and about all the other intriguing titles chosen by my fellow contributors.

Image credits:

Image of ‘Riveting Reads’ from the European Literature Network website.

 

 

 

 

Riveting literature from the Baltics

The Baltics Riveter

In April, the European Literature Network published The Baltics Riveter, a compendium of writing about contemporary fiction from Estonia, Latvia and Lithuania. Publication coincided with this year’s country focus on the Baltics at London Book Fair, where the magazine was widely distributed and enthusiastically received. It contains historical notes, reviews and extracts of some very exciting literature.

The Baltics Riveter is now available also in digital form here. This is the fourth of the European Literature Network’s Riveters. The first was devoted to literature from Poland, on the occasion of the 2017 London Book Fair’s Polish focus. The second, on literature from Russia, coincided with ELNet’s Russian events at the British Library. In The Nordic Riveter of October 2017, five countries were represented: Sweden, Norway, Denmark, Finland and Iceland.

Review of Burning Cities

 

I normally review English-language editions of novels originally written in Italian, German and French, the languages and cultures I grew up with. But the editor of The Riveter asked whether I might review Estonian author Kai Aareleid’s Burning Cities, translated by Adam Cullen (Peter Owen Publishers, 2018). I’m very grateful for the suggestion: the novel weaves a powerful domestic tale within the larger tapestry of seven decades of Estonian history; most of the story unfolds in the years during which the country was part of the Soviet Union. You can find my article on pp. 58 and 59 of the magazine, or here. I hope it will encourage you to discover Kai Aareleid’s work and more of the riveting literature from the region.

Image credits:

Images courtesy of The European Literature Network.

 

The latest ‘Riveter’ is here!

THE NORDIC RIVETER - Cover

In October this year, the European Literature Network published The Nordic Riveter, a compendium of writing about contemporary Nordic fiction in English translation. It’s available in bookshops, embassies, universities, libraries and arts organisations – and now also for download from http://www.eurolitnetwork.com/the-nordic-riveter-to-download/ . Whether you are a ‘Nordic Noir’ addict, a newbie to literature from the region, or are curious to discover its different strands and what they offer, you’ll find much to inspire and inform your reading.

This is the third of the European Literature Network’s Riveters. The first was devoted to literature from Poland, on the occasion of the 2017 London Book Fair’s Polish focus. The second, on literature from Russia, coincided with ELNet’s Russian events at the British Library. This time, five countries are represented: Sweden, Norway, Denmark, Finland and Iceland.

I normally review English-language editions of novels originally written in Italian, German and French, the languages and cultures I grew up with. But the editor of The Nordic Riveter asked whether I might take a look at Finnish author Johanna Sinisalo’s The Core of the Sun, which had come highly recommended. I’m very grateful for his suggestion: the book is highly engaging and thought-provoking. You can find my review here: http://www.eurolitnetwork.com/rivetingreviews-valeria-vescina-reviews-the-core-of-the-sun-by-johanna-sinisalo/. I hope it will intrigue you and encourage you to discover this and more of the literature discussed in The Nordic Riveter.

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Image credits:

All images from the European Literature Network website.