This is the tenth special issue of The Riveter, previous ones having focused on the literary output of Romania, Germany, Netherlands, Switzerland, the Baltics, queer authors, Russia, Poland and the Nordic countries. Click here to view them – they are free to download. Printed copies are available to order from newsstand.co.uk.
The Italian Riveter was launched at London Book Fair on 5 April and at the Italian Cultural Institute, London on 7 April 2022. The Italian Cultural Institutes of London, Dublin and Edinburgh sponsored its publication. ‘Why Italy? Why an Italian Riveter?’ Rosie Goldsmith, founder of the European Literature Network, answers those question in her introduction. Rosie, editor West Camel and design & production editor Anna Blasiak are indefatigable champions of literature in translation.
Contributors include many well-known novelists, poets, translators and critics from Italy, the UK and far beyond. So, The Italian Riveter offers the pleasure both of a superb read in its own right and of discovering new books to delve into. You’ll find exclusive interviews with the likes of Jhumpa Lahiri, Gianrico and Francesco Carofiglio and Tim Parks. Anna Blasiak delves into Italian poetry and Barry Forshaw into crime fiction. Paolo Grossi of New Italian Books talks about promotion abroad, and Diego Marani about the Italian ‘cultural mind’. Maria Teresa Carbone focuses on women’s writing, and Enrica Maria Ferrara specifically on Ferrante Studies.
Distinguished translators from Italian provide overviews of different genres, as well as reviews and extracts of books. For example, Howard Curtis covers lost Italian classics ripe for re-discovery, while Clarissa Botsford writes about the ‘new Italians’, including Cristina Ali Farah, Igiaba Scego and Nadeesha Uyangoda; Shaun Whiteside tells us about translating from Italian, and Ann Goldstein about translating Elena Ferrante; Denise Muir and Antonella Ranieri discuss children’s literature and children’s picture books, respectively; Katherine Gregor explains what differentiates the Italian historical novel and curates the section on untranslated Italian fiction.
Every section includes different contributors’ reviews of works in the relevant genre. I was delighted to write about Lia Levi’s Tonight is Already Tomorrow, a work of historical fiction based on true events. The Italian Riveter is interspersed with pieces in the ‘Postcard from…’ series, to cover the literature of different regions, reflecting the diversity which characterises the peninsula. I was asked to write the ‘postcard’ from my native Puglia, and hugely enjoyed reading the ones from other parts of Italy.
Are you looking for great book recommendations? Or maybe researching contemporary Italian literature? Whatever your reason for landing on this post, you’ll enjoy and treasure The Italian Riveter.
The July 2019 edition of the European Literature Network‘s #Riveting Reviews is out today. My review is of Veronica Raimo’s “The Girl at the Door” (4th Estate). Bold stylistic choices give a sharp edge to this novel. This is unsettling, thought-provoking work.
The Girl at the Door is in tune with the concerns of the #MeToo movement, but Raimo began writing the novel years before its rise. The book is relevant also to other burning issues. It highlights the question of the failure to see clearly and to seek dialogue not only at a personal level but at a societal one, especially in the age of social media, when views of history and the present seem to polarise around extremes.
This is a book which challenges you to work hard and which amply rewards you for it: a gripping read in its own right, and fiction that enhances our engagement with the world. Highly recommended.
The festival’s name suggests a focus on travel literature but its remit defies narrow definitions. It showcases different ways of narrating places and cultures: journalism, travel memoir, fiction, photography, music, television, comics, anthropology, history, politics, philosophy… It’s promoted and hosted by the Società Geografica Italiana (founded in 1867, it’s Italy’s equivalent of the Royal Geographical Society, for those of you in the UK) in the historic grounds of its headquarters, Villa Celimontana. Journalist and photographer Antonio Politano (La Repubblica, National Geographic and much more) is the Artistic Director. Writer and broadcaster Tommaso Giartosio (author of several books, journalist and presenter of Rai Radio Tre’s literary programme, ‘Fahrenheit’) co-ordinates the talks and interviews the speakers.
The festival’s byword being ‘openness’, its atmosphere is at once relaxed and challenging. The juxtaposition of some sessions emphasises the relevance and reach of world events. An example? In their presentation of Otto Giorni in Niger (Baldini + Castoldi) a memoir of days with the UNHCR in refugee camps in Niger, acclaimed authors Edoardo Albinati and Francesca D’Aloja spoke of how the experience affected their perspectives on issues ranging from degrees of hospitality and generosity, to the wisdom of young mothers whose babies were born of rape; their talk was followed by the award of the festival’s Navicella d’Oro Prize to Aboubakar Soumahoro, trade unionist, for his work against racism and the exploitation of migrants in Italy, and to Antonio Marchesi, President of Amnesty International Italy.
The novels presented at the festival tend to be connected by a strong sense of place. The session ‘Levante Italiano’ or ‘Italian Levant’, involved a discussion of three works set in Puglia: Omar Di Monopoli’s Uomini e Cani (Adelphi), Carlos Solito’s Sciamenesciá (Elliot) and my That Summer in Puglia (Eyewear). Rino Caputo, Professor of Italian Literature at Tor Vergata, University of Rome, put them in the historical context of literature from Puglia-born writers, highlighting the similarities and differences vis a vis the experience of earlier Sicilian authors. Tommaso Giartosio pointed to the strong thread connecting our individual visions of Puglia, despite our three widely differing styles: namely, the region’s contradictions, rooted in history, which still shape its present and our imaginations.
Yesterday’s event in Ostuni was very special: after a journey begun in Oxford, my protagonist Tommaso “came home” to the beautiful city through which he and Anna “walk”.
Poster produced by the City of Ostuni
Article in La Gazzetta del Mezzogiorno
I have lots of people to thank for the success of this bilingual presentation to an audience consisting, in fairly equal parts, of Italian and native-English speakers:
The authorities who took the initiative of offering a literary event for both an Italian public and the sizeable Anglophone community resident in and around Ostuni. My thanks to Mayor Gianfranco Coppola, City Councillor Antonella Palmisano and Director of Museums Michele Conte, who gave the welcome addresses, and to their wonderful team, especially City Library Director Francesca Garziano and Press Officer Paola Loparco
Francesco, Paola and Ilaria Casanova of the Bottega del Libro bookshop, whose support at the event and in the weeks leading up to it was precious
Last but certainly not least, my wonderful interviewer Francesco Dimitri, another Apulian author living and working in London. Francesco writes in both Italian and English. His most recent titles include To Read Aloud and The Book of Hidden Things (which is set in Puglia) and he collaborates with The School of Life. I can’t wait for his That Sense of Wonder, which is due out in November 2018.
Mayor Gianfranco Coppola’s welcome address
Address by Museum President Michele Conte
Assessore Antonella Palmisano’s address
Francesco and I translated – from English into Italian and vice versa – everything we discussed. We had wondered how well this would work and were delighted to hear that people loved it and that many of them actively enjoyed the challenge of trying to understand what was being said in the other language before hearing the translation into their own tongue.
Francesco’s questions were insightful and stimulating, and those from the audience showed warm engagement with the novel. As always, it was so lovely, afterwards, to meet those present, to hear their thoughts on the book and to learn of their backgrounds.
Riveting Reads: on Simonetta Agnello Hornby and Nicola Gardini
The European Literature Network champions international literature – if you aren’t already aware of its activity, do check out its website.
Every month, its Riveting Reviews section features reviews of (mainly) European literature – mostly of works recently translated into English. It also offers a Riveting Reads section, consisting of brief (only a few lines long) recommendations of a wider range of books, including fiction and non-fiction not yet available in English translation, as well as texts published years ago.
What a delight the blog tour of That Summer in Puglia has been! All authors are a little apprehensive about how their book will be received, and I was no exception: ‘Will the reviewers like my novel?’ ‘Will they care for the aspects which I care most deeply about?’ ‘Will the characters and the places transport them…?’ The answers, happily, were yes, yes, yes…
I’m grateful to those who hosted a stop on the tour and to their fellow bloggers who made the reviews travel far and fast. Literary bloggers give freely of their time. No-one can mandate their emotional engagement or their final verdict. Their chief motivation? Love of reading, writing, learning and sharing. I’d like to thank them by selecting extracts from their reviews. But first, my thanks to Aimee Coveney and Helen McCusker of Bookollective for organising the tour and to Eyewear for publishing the book.
I hope the quotes from the tour will give you a flavour of the novel. You can read additional reviews here.
Blackwell’s bookshelves at the Oxford Literary Festival
‘That Summer in Puglia’ on Blackwell’s Oxford Literary Festival display
Jo Park kicked off on 17 May by hosting an extract from That Summer in Puglia on her Over the Rainbow Book Blog. A stop with a different blogger followed each day until 27 May.
“I have an absolutely great recommendation for you today, one that will melt your heart. […] This is a stunningly beautiful story, made even more wonderful by having Tommaso as the narrator. […] I cried, I rejoiced, I held my breath – and they are just some of the ways That Summer in Puglia hit me.”
“Valeria Vescina writes beautifully. She creates an unbelievable sense of atmosphere and nostalgia. Her depictions of the landscape and architecture of Puglia have made me want to visit this region I’d heard little of but am now slightly obsessed with. […]
What I loved most about this book was that it was a very emotional read. Yes, it’s a love story but it’s so much more than a love story. It’s a reminder of how things can go so very wrong when we try so very hard to do right by those we love. It’s about communication and miscommunication and redemption. It’s about the expectations we have of our parents and those we have of our children. It’s about how we differ in our reactions to anger and grief. I could go on and on. In short, it’s about all of the things that make us fragile, vulnerable, human… […] A perfect book club choice. This book is an impressive debut and I’d certainly love to read more books by Valeria Vescina in the future.”
“I found this to be a totally absorbing debut and loved spending time with the character Tommaso as he recounted the story of his life and loves to a PI who has tracked him down 30 years later. […] The attention to detail was exquisite and the sights and sounds are brought vividly to life through the pages. It had a lovely gentle feel to it throughout and I can’t wait to read more from this author in the future.”
“It was Tommaso that stole my heart… Vescina’s writing is brimming full of emotion and tenderness.
The vibrancy of the town square, the winding backstreets, and Tommaso’s villa and its gardens, conjured up such vivid and vibrant images. I could almost smell the flowers in the beautiful gardens and my mouth watered at the descriptions of the amazing food cooked by Concetta. The whole setting was beautifully atmospheric and so befitting of this amazing love story…
I loved this novel. It had everything you want in a love story. It had passion, betrayal, grief, and loss but most of all it was about the capacity we have in all of us to forgive, to make amends and make the best of what life has to offer. […] A sumptuous, evocative and totally enthralling novel… It is just beautiful.”
“As intense as the heat of an Italian summer. […] As Tommaso and Anna roam the maze of narrow streets that make up the Old Town of Ostuni, taking delight in small things and shared places, there are beautiful descriptions of the ancient town, full of light and shade.
That Summer in Puglia provides a devastating portrait of how love can, in a moment, turn to hate if fuelled by insecurity, jealousy and an inability to trust. And how what often follows just as quickly is regret, guilt, despair and hopelessness. It also shows how a single action, even if done for what is thought are the right reasons, can have unintended and long-lasting consequences, but that sometimes there may be the opportunity to make reparation. The emotional power of Tommaso’s story and the effortless, flowing writing of Valeria Vescina are what will stay with me about That Summer in Puglia.”
“The beautiful descriptions transported me straight there, from the olive trees to the scent of the flowers. […] At its heart, That Summer in Puglia is a love story but it’s so much more than that. It’s a relatable character study full of complexities that oozes atmosphere.
Hindsight is a wonderful thing. The way we react to certain things in the heat of the moment can have a huge effect. It isn’t until later on, that we maybe think “I could have” or “I shouldn’t have”. As a nineteen year old boy, Tommaso makes some dubious decisions… Did he make the right choices? That’s up to you to find out when you read this novel.
With beautiful descriptions and well-developed rich characters, Valeria Vescina takes us on a moving journey through Tommaso’s life. That Summer in Puglia is a brilliantly written, poignant, thought-provoking character-driven story about young love, loss, grief, family and second chances. An absolutely wonderful debut.”
“It’s a tale touched with sadness and poignancy, tragedy and loss but also one of self-discovery and second chances… At first sight, it’s a simple tale of boy meets girl, but pull back those layers and it’s so much more – Puglia plays its role in being a mix of old and new, white architecture and old town – mixing two worlds which seem separate but which on closer inspection are very similar. The writing was very lyrical, like an ode to a time gone by, a memory – and of course this story is told by the one person who can tell it all as it happened, or at least how he thinks it all took place…”
The Book Trail also features an interview with me on its Authors on Location section. They’re creating an online guide to the real-life places in the novel, too.
I’m a hopeless romantic and I love to travel so I’m thrilled to have That Summer in Puglia by Valeria Vescina on my TBR as I have a feeling it’s going to appeal to both aspects very effectively! Today I’m delighted to be celebrating That Summer in Puglia. by bringing you an interview with Valeria conducted by those lovely folk at Bookollective.
That Summer in Puglia is available for purchase directly from the publisher, Eyewear Books here and on Amazon.
That Summer in Puglia
Tommaso has escaped discovery for thirty years but a young private investigator, Will, has tracked him down. Tommaso asks him to pretend never to have found him. To persuade Will, Tommaso recounts the story of his life and his great love. In the process, he comes to recognise his true role in the events which unfolded, and the legacy of unresolved grief. Now he’s…